Category Archives: Schumann Brothers Fund

Rice Student Media Awards 2025 Schumann Brothers Grants for Outstanding Student Journalism and Writing

Rice Student Media has announced the recipients of the 2025 Schumann Brothers Grants, honoring exceptional student work in longform writing and travel journalism.

These competitive grants, funded by the Schumann family, support ambitious projects that reflect the highest standards of narrative nonfiction and journalistic inquiry. This year, both awards went to student journalists affiliated with The Rice Thresher, the student-run newspaper at Rice University.

The year’s Travel Journalism Grant of $5,000 has been awarded to Hongtao Hu for his project, Memory’s Horizon, a reporting enterprise that will follow the life of the recipient’s grandfather from Yanbian — a Korean ethnic minority region in China — to Northeastern University in the U.S.

The grant will supply funding for Hu’s travel to Yanbian, where he plans to document the area’s rich blend of Korean and Chinese cultures and to conduct family interviews.

Hu says the final piece will explore identity, assimilation, and the complexities of being part of the Korean diaspora in modern-day China.

The Written Expression Grant of $2,500 has been awarded to Noa Berz, whose project profiles Rice Ph.D. alumnus Jiankui He ’10, who sparked global controversy with illegal gene-editing experiments on human embryos.

Now back in the lab and pursuing a cure for Alzheimer’s disease, Dr. He will be the subject of a deeply reported narrative exploring the intersections of scientific ambition, ethics, and public redemption.

Dr. Chris Evans, director of Student Media at Rice University, said the winning proposals stood out for their depth, originality, and bold engagement with complex issues.

He praised the students for approaching their work with a seriousness and creativity that mirror the best of professional journalism.

“These students are taking on stories of global significance with a level of rigor, creativity, and ambition that rivals professional journalists,” Evans said. “Their work exemplifies the power of student media to explore complex truths and contribute meaningfully to the public conversation.”

The Schumann Brothers Grants are awarded annually to Rice undergraduates who have published in student media and propose significant independent work in writing or journalism.

2025 Schumann Brothers Grants: Now Accepting Applications!

Rice University and Rice Student Media Announce the 2025 Schumann Brothers Grants

Rice University and Rice Student Media are pleased to announce two student competitions for the 2025 Schumann Brothers Grants: one for Written Expression and one for Travel Journalism.

  • The Written Expression grant winner will receive $1,500.
  • The Travel Journalism Grant winner will receive up to $5,000, based on the strength and scope of their proposed budget.

Eligibility

Applicants must be current undergraduate students anticipated to graduate during or after the spring 2026 semester who have been published in the Rice Thresher, Rice Campanile or other publications directly affiliated with the Rice University Department of Student Media. Students from all disciplines are encouraged to apply.

Application Guidelines

Written Expression

  • Submit a writing sample, preferably related to your proposed project. Any style is acceptable; publication is not required.
  • Include a one-page proposal outlining your intended project.
  • Provide a projected completion date of no later than March 15, 2026. Grant recipients must adhere to this timeline or risk returning funds.
  • A final written piece must be submitted to the selection committee and may be published through Rice Student Media.
  • Grantees must provide a brief post-project report (1–2 pages) confirming how the funds were used and reflecting on the impact of the grant.

Submit your Written Expression proposal here.

Travel Journalism

  • Submit a nonfiction writing sample related to your proposed travel topic.
  • Include a one-page proposal describing the trip and its journalistic significance.
  • Provide a realistic travel budget. (It is understood that the trip may cost more than the grant covers.)
  • The trip must be taken within one calendar year of the award.
  • Include a projected completion date for the story or stories. Grant recipients must meet this timeline or return the funds.
  • A final journalistic piece or series must be submitted to the committee no later than March 15, 2026, and may be published through Rice Student Media.
  • Grantees must also submit a brief post-project summary detailing how the funds were spent and how the project aligned with the original proposal.

Submit your Travel Journalism proposal here.

Deadline

All submissions must be received by Wednesday, May 15, 2025, at 5 p.m.

Selection Process

A selection committee will review all applications. Finalists may be asked to participate in an interview. Grant recipients will be notified via email by June 15, 2025, with a formal announcement to follow.

Questions?

Please contact Tessa Ehrman in the Department of Student Media at te16@rice.edu for more information or clarification.

2024 Schumann Brothers Grants are Open!

Rice University and Rice Student Media announces two competitions for the 2024 Schumann Brothers Grants: one for Written Expression and one for Travel Journalism. The winner for the Written Expression award will receive a $2500 grant, and the winner for the Travel Journalism award will receive a $5000 grant to support their proposed endeavors.

For examples of previous grant winners’ works, go here.

Eligibility

Applicants must be undergraduate students who have been published in a Rice University student media outlet. Students from all disciplines are encouraged to apply.

Application

Written expression:

  • Submissions should include a writing sample, preferably one that is related to the project you are proposing. Any style of writing is acceptable, and the sample does not need to have been published.
  • Submissions should include a proposal no longer than one page explaining the desired project.
  • Submissions must include a projected completion date for the piece(s). The committee will approve and enforce a completion date, or the grantee may be required to return the grant money.
  • The piece resulting from the project must be submitted to the committee for possible publication online or in print through the Office of  Student Media.
  • The committee will submit the resulting written piece and the grant request to the Dean’s office, so it can be communicated to the donors.

Travel Journalism:

  • Submissions should include a non-fiction writing sample that is related to the project you are proposing. Any style of writing is acceptable, and the sample does not need to have been published.
  • Submissions must also include a travel budget and a proposal no longer than one page explaining the desired trip and its journalistic value. It is understood that the budget may exceed the grant amount.
  • The trip should be taken within a calendar year from the award being given.
  • Submissions will include a projected completion date for the piece(s). The committee will approve and enforce a completion date, or the grantee may be required to return the grant money.
  • The piece resulting from the project must be submitted to the committee for publication online or in print through Rice Student Media
  • The committee will submit the resulting written piece(s) and the grant request to the Dean’s office, so it can be communicated to the donors.

Deadline

All submissions must be received no later than April 28th, 2024 by 5 p.m. Submissions for Written Expression can be submitted here. Submissions for Travel Journalism can be submitted here.

Selection

A Selection Committee composed of student publication editors and sponsors will select finalists. If needed, finalists may be asked to appear for an interview. Grant winners will be notified by email by May 1st with a formal announcement to follow.

If you have any questions or need clarification, email conner@rice.edu

2023 Schumann Brothers Grants are Open!

Rice University and Rice Student Media announces two competitions for the 2023 Schumann Brothers Grants: one for Written Expression and one for Travel Journalism. The winners for each award will receive a $2500 grant to support their proposed endeavors.

For examples of previous grant winners’ works, go here.

Eligibility

Applicants must be undergraduate students who have been published in a Rice University student media outlet. Students from all disciplines are encouraged to apply.

Application

Written expression:

  • Submissions should include a writing sample, preferably one that is related to the project you are proposing. Any style of writing is acceptable, and the sample does not need to have been published.
  • Submissions should include a proposal no longer than one page explaining the desired project.
  • Submissions must include a projected completion date for the piece(s). The committee will approve and enforce a completion date, or the grantee may be required to return the grant money.
  • The piece resulting from the project must be submitted to the committee for possible publication online or in print through the Office of  Student Media.
  • The committee will submit the resulting written piece and the grant request to the Dean’s office, so it can be communicated to the donors.

Travel Journalism:

  • Submissions should include a non-fiction writing sample that is related to the project you are proposing. Any style of writing is acceptable, and the sample does not need to have been published.
  • Submissions must also include a travel budget and a proposal no longer than one page explaining the desired trip and its journalistic value. It is understood that the budget may exceed the grant amount.
  • The trip should be taken within a calendar year from the award being given.
  • Submissions will include a projected completion date for the piece(s). The committee will approve and enforce a completion date, or the grantee may be required to return the grant money.
  • The piece resulting from the project must be submitted to the committee for publication online or in print through Rice Student Media
  • The committee will submit the resulting written piece(s) and the grant request to the Dean’s office, so it can be communicated to the donors.

Deadline

All submissions must be received no later than April 23rd, 2023 by 5 p.m. Submissions for Written Expression can be submitted here. Submissions for Travel Journalism can be submitted here.

Selection

A Selection Committee composed of student publication editors and sponsors will select finalists. If needed, finalists may be asked to appear for an interview. Grant winners will be notified by email by May 1st with a formal announcement to follow.

If you have any questions or need clarification, email kls11@rice.edu

2022 Schumann Brothers Grant

Rice University and Rice Student Media announces two competitions for the Schumann Brothers Grants: one for Written Expression and one for Travel Journalism. The winners for each award will receive a $1000 grant to support their proposed endeavors.

For examples of previous grant winners’ works, go here.

Eligibility

Applicants must be undergraduate students who have been published in a Rice University student media outlet. Students from all disciplines are encouraged to apply.

Application

Written expression:

  • Submissions should include a writing sample, preferably one that is related to the project you are proposing. Any style of writing is acceptable, and the sample does not need to have been published.
  • Submissions should include a proposal no longer than one page explaining the desired project.
  • Submissions must include a projected completion date for the piece(s). The committee will approve and enforce a completion date, or the grantee may be required to return the grant money.
  • The piece resulting from the project must be submitted to the committee for possible publication online or in print through the Office of  Student Media.
  • The committee will submit the resulting written piece and the grant request to the Dean’s office, so it can be communicated to the donors.

Travel Journalism:

  • Submissions should include a non-fiction writing sample that is related to the project you are proposing. Any style of writing is acceptable, and the sample does not need to have been published.
  • Submissions must also include a travel budget and a proposal no longer than one page explaining the desired trip and its journalistic value. It is understood that the budget may exceed the grant amount.
  • The trip should be taken within a calendar year from the award being given.
  • Submissions will include a projected completion date for the piece(s). The committee will approve and enforce a completion date, or the grantee may be required to return the grant money.
  • The piece resulting from the project must be submitted to the committee for publication online or in print through Rice Student Media
  • The committee will submit the resulting written piece(s) and the grant request to the Dean’s office, so it can be communicated to the donors.

Deadline

All submissions must be received no later than April 24th, 2022 by 5 p.m. Submissions for Written Expression can be submitted here. Submissions for Travel Journalism can be submitted here.

Selection

A Selection Committee composed of student publication editors and sponsors will select finalists. If needed, finalists may be asked to appear for an interview. Grant winners will be notified by email by May 1st with a formal announcement to follow.

If you have any questions or need clarification, email ricestudentmedia@gmail.com

Sparrow

Excerpt of Sparrow, a written work by the 2020 Schumann Brothers Grant for Written Expression Winner, Kristen Hickey

Colm‌ ‌was‌ ‌waiting‌ ‌at‌ ‌the‌ ‌base‌ ‌of‌ ‌the‌ ‌tower‌ ‌when‌ ‌Sparrow‌ ‌finally‌ ‌made‌ ‌up‌ ‌her‌ ‌mind‌ ‌to‌ ‌start‌ ‌the‌ ‌night’s‌ ‌illumination.‌ ‌She‌ ‌had‌ ‌half‌ ‌a‌ ‌mind‌ ‌to‌ ‌turn‌ ‌around‌ ‌as‌ ‌soon‌ ‌as‌ ‌she‌ ‌saw‌ ‌him‌ ‌push‌ ‌off‌ ‌the‌ ‌wall,‌ ‌but‌ ‌he‌ ‌was‌ ‌already‌ ‌moving‌ ‌towards‌ ‌her‌ ‌and‌ ‌Sparrow‌ ‌had‌ ‌never‌ ‌learned‌ ‌to‌ ‌flee‌ ‌as‌ ‌well‌ ‌as‌ ‌Aoife.‌ ‌ ‌

“It’s‌ ‌late.”‌ ‌Colm’s‌ ‌voice‌ ‌cut‌ ‌through‌ ‌the‌ ‌soft‌ ‌rhythm‌ ‌of‌ ‌the‌ ‌rain‌ ‌falling‌ ‌into‌ ‌the‌ ‌cloister’s‌ ‌garden.‌ ‌ ‌

“I’ve‌ ‌all‌ ‌night,”‌ ‌Sparrow‌ ‌said,‌ ‌slowing‌ ‌as‌ ‌she‌ ‌passed‌ ‌him.‌ ‌His‌ ‌heavy‌ ‌feet‌ ‌followed‌ ‌hers‌ ‌up‌ ‌the‌ ‌stairs.‌ ‌ ‌

“I‌ ‌want‌ ‌to‌ ‌see‌ ‌what‌ ‌you‌ ‌have‌ ‌been‌ ‌working‌ ‌on.”‌ ‌ ‌

Sparrow‌ ‌just‌ ‌brushed‌ ‌her‌ ‌fingertips‌ ‌against‌ ‌the‌ ‌cool‌ ‌stone‌ ‌of‌ ‌the‌ ‌wall,‌ ‌and‌ ‌thought‌ ‌her‌ ‌usual‌ ‌prayer‌ ‌for‌ ‌Chen‌ ‌Jizi.‌ ‌ ‌

Sparrow‌ ‌held‌ ‌the‌ ‌door‌ ‌open‌ ‌for‌ ‌Colm,‌ ‌though‌ ‌she‌ ‌longed‌ ‌to‌ close‌ ‌it,‌ ‌lock‌ ‌it‌ ‌before‌ ‌he‌ ‌could‌ ‌enter‌ ‌the‌ ‌scriptorium.‌ ‌She‌ ‌couldn’t‌ ‌remember‌ ‌the‌ ‌last‌ ‌time‌ ‌anyone‌ ‌had‌ ‌been‌ ‌in‌ ‌the‌ ‌tower‌ ‌with‌ ‌her.‌ Colm,‌ ‌she‌ ‌thought,‌ ‌must‌ ‌have‌ ‌stopped‌ ‌by‌ ‌in‌ ‌the‌ ‌years‌ ‌since‌ ‌Chen‌ ‌Jizi’s‌ ‌death—maybe‌ ‌once,‌ ‌early‌ ‌on.‌ ‌But‌ ‌she’d‌ ‌been‌ ‌alone‌ ‌in‌ ‌the‌ ‌sky‌ ‌since‌ ‌then,‌ ‌no‌ ‌scribe‌ ‌or‌ ‌illustrator‌ ‌to‌ ‌join‌ ‌her.‌ ‌It‌ ‌set‌ ‌her‌ ‌on‌ ‌edge‌ ‌to‌ ‌have‌ ‌him‌ ‌there,‌ ‌just—looking.‌ ‌ ‌

As‌ ‌Sparrow‌ ‌circled‌ ‌the‌ ‌room,‌ ‌lighting‌ ‌her‌ ‌candles,‌ ‌she‌ ‌glanced‌ ‌about,‌ ‌too;‌ ‌she‌ ‌hardly‌ ‌had‌ ‌reason‌ ‌to‌ ‌look‌ ‌around‌ ‌anymore.‌ ‌The‌ ‌hours‌ ‌she‌ ‌spent‌ ‌here‌ ‌had‌ ‌piled‌ ‌atop‌ ‌each‌ ‌other,‌ ‌then‌ ‌the‌ ‌days,‌ ‌the‌ ‌months,‌ ‌the‌ ‌years.‌ ‌There‌ ‌was‌ ‌nobody‌ ‌there‌ ‌to‌ ‌move‌ ‌her‌ ‌stool,‌ nobody‌ ‌there‌ ‌to‌ ‌blend‌ ‌paints‌ ‌into‌ ‌unsettlingly‌ ‌new‌ ‌shades.‌ ‌Nothing‌ ‌changed‌ ‌when‌ ‌Sparrow‌ ‌was‌ ‌absent,‌ ‌and‌ ‌so‌ ‌she‌ ‌had‌ ‌stopped‌ ‌thinking‌ ‌about‌ ‌it,‌ ‌as‌ ‌if‌ ‌it‌ ‌had‌ ‌become‌ ‌an‌ ‌extension‌ ‌of‌ ‌her‌ ‌very‌ ‌body.‌ ‌

She‌ ‌imagined‌ ‌that‌ ‌to‌ ‌Colm,‌ ‌it‌ ‌looked‌ ‌a‌ ‌terrible‌ ‌mess.‌ ‌The‌ semicircular‌ ‌wooden‌ ‌table‌ ‌that‌ ‌fitted‌ ‌perfectly‌ ‌into‌ ‌the‌ ‌rounded‌ ‌wall‌ ‌of‌ ‌the‌ ‌tower‌ ‌had‌ ‌been‌ ‌built‌ ‌before‌ ‌even‌ ‌Chen‌ ‌Jizi‌ ‌took‌ ‌his‌ ‌vows,‌ ‌back‌ ‌when‌ ‌Solaskell’s‌ ‌scriptorium‌ ‌would‌ ‌have‌ ‌always‌ ‌held‌ four‌ ‌scribes‌ ‌and‌ ‌four‌ ‌illuminators.‌ ‌Many‌ ‌had‌ ‌etched‌ ‌their‌ ‌initials‌ ‌into‌ ‌their‌ ‌stations,‌ ‌leaving‌ ‌clouds‌ ‌of‌ ‌letters‌ ‌and‌ ‌tiny‌ ‌fish,‌ ‌bees,‌ ‌sheep‌ ‌scored‌ ‌across‌ ‌the‌ ‌wooden‌ ‌surface.‌ ‌Sparrow,‌ ‌for‌ ‌her‌ ‌part,‌ ‌had‌ ‌filled‌ ‌the‌ ‌empty‌ ‌space‌ ‌of‌ ‌her‌ ‌predecessors‌ ‌with‌ ‌the‌ ‌waxy‌ ‌last‌ ‌nubs‌ ‌of‌ ‌candles,‌ ‌scattered‌ ‌pens‌ ‌of‌ ‌quill‌ ‌and‌ ‌reed,‌ ‌the‌ ‌pots‌ ‌of‌ ‌black‌ ‌ink‌ ‌and‌ ‌those‌ ‌of‌ ‌powdery‌ ‌color‌ ‌that‌ ‌she’d‌ ‌arranged‌ ‌first‌ ‌by‌ ‌hue,‌ ‌then‌ ‌by‌ ‌scarcity.‌ ‌On‌ ‌the‌ ‌round‌ ‌of‌ ‌the‌ ‌table‌ ‌farthest‌ ‌from‌ ‌the‌ ‌door,‌ ‌the‌ ‌monastery’s‌ ‌200-year-old‌ ‌book‌ ‌of‌ ‌recipes‌ ‌sat‌ ‌amidst‌ ‌the‌ ‌remnants‌ ‌of‌ ‌her‌ ‌most‌ ‌recent‌ ‌experiments.‌ ‌And‌ ‌then,‌ ‌along‌ ‌the‌ ‌empty‌ ‌wall,‌ ‌the‌ ‌racks‌ ‌that‌ ‌stretched‌ ‌the‌ ‌sheepskins‌ ‌from‌ ‌the‌ ‌winter‌ ‌that‌ ‌had‌ ‌filled‌ ‌the‌ ‌room,‌ ‌for‌ ‌a‌ ‌time,‌ ‌with‌ ‌the‌ ‌smell‌ ‌of‌ ‌something‌ ‌almost‌ ‌breathing.‌ ‌Now,‌ ‌it‌ ‌was‌ ‌hidden‌ ‌under‌ ‌all‌ ‌the‌ ‌weighty‌ ‌scents‌ ‌of‌ ‌drying‌ ‌plants‌ ‌that‌ ‌Sparrow‌ ‌had‌ ‌cut‌ ‌from‌ ‌the‌ ‌garden‌ ‌the‌ ‌week‌ ‌prior.‌ ‌ ‌

When‌ ‌Sparrow‌ ‌finally‌ ‌turned‌ ‌again‌ ‌to‌ ‌look‌ ‌at‌ ‌Colm,‌ ‌he‌ ‌was‌ ‌peering‌ ‌into‌ ‌pots‌ ‌of‌ ‌pigment,‌ ‌wearing‌ ‌a‌ ‌deep‌ ‌frown‌ ‌that‌ ‌Sparrow‌ ‌couldn’t‌ ‌imagine‌ ‌was‌ ‌caused‌ ‌by‌ ‌the‌ ‌colors‌ ‌she‌ ‌had‌ ‌mixed.‌ ‌He‌ ‌stayed‌ ‌there,‌ ‌bent‌ ‌over‌ ‌the‌ ‌little‌ ‌crowd‌ ‌of‌ ‌pots,‌ ‌for‌ ‌far‌ ‌too‌ ‌long.‌ Most‌ ‌of‌ ‌the‌ ‌powders‌ ‌were‌ ‌hardly‌ ‌visible‌ ‌in‌ ‌this‌ ‌light,‌ ‌and‌ ‌even‌ ‌less‌ ‌notable‌ ‌before‌ ‌they‌ ‌were‌ ‌wetted‌ ‌and‌ ‌bound.‌ ‌Sparrow‌ ‌knew‌ ‌he‌ ‌was‌ ‌looking‌ ‌for‌ ‌something‌ ‌wrong‌ ‌without‌ ‌even‌ ‌knowing‌ ‌what‌ ‌he‌ ‌was‌ ‌looking‌ ‌at.‌ ‌She‌ ‌sighed.‌ ‌ ‌

“Long‌ ‌before‌ ‌you‌ ‌joined‌ ‌us,‌ ‌this‌ ‌scriptorium‌ ‌was‌ ‌lit‌ ‌by‌ ‌the‌ ‌sun‌ ‌and‌ ‌always‌ ‌full‌ ‌of‌ ‌movement,”‌ ‌Colm‌ ‌said,‌ ‌finally,‌ ‌his‌ ‌nose‌ ‌still‌ ‌in‌ ‌one‌ ‌of‌ ‌her‌ ‌pots.‌ ‌Every‌ ‌ounce‌ ‌of‌ ‌Sparrow‌ ‌hoped‌ ‌that‌ ‌he‌ ‌would‌ ‌not‌ ‌breathe‌ ‌heavily‌ ‌enough‌ ‌to‌ ‌scatter‌ ‌her‌ ‌powders‌ ‌into‌ ‌the‌ ‌air.‌ ‌“You‌ ‌were‌ ‌mentored‌ ‌well,‌ ‌to‌ ‌be‌ ‌able‌ ‌to‌ ‌carry‌ ‌on‌ ‌alone.”‌ ‌

Colm‌ ‌finally‌ ‌returned‌ ‌the‌ ‌lid‌ ‌to‌ ‌the‌ ‌last‌ ‌pot‌ ‌and‌ ‌straightened‌ ‌up.‌ ‌It‌ ‌was‌ ‌only‌ ‌then,‌ ‌when‌ ‌her‌ ‌paints‌ ‌were‌ ‌safe,‌ ‌that‌ ‌Sparrow’s‌ ‌distracted‌ ‌mind‌ ‌considered‌ ‌Colm’s‌ ‌words,‌ ‌which‌ ‌had‌ ‌almost—‌nearly‌—contained‌ ‌a‌ ‌compliment‌ ‌for‌ ‌her.‌ ‌ ‌

“Truly,‌ ‌this‌ ‌space‌ ‌is‌ ‌a‌ ‌testament‌ ‌to‌ ‌the‌ ‌lasting‌ ‌guidance‌ ‌of‌ ‌Brother‌ ‌Jizi,‌ ‌and‌ ‌the‌ ‌hands‌ ‌of‌ ‌Beo‌ ‌beyond.”‌ ‌ ‌

“And‌ ‌the‌ ‌work‌ ‌that‌ ‌I‌ ‌have‌ ‌done,”‌ ‌Sparrow‌ ‌said,‌ ‌unable‌ ‌to‌ ‌help‌ ‌herself.‌ ‌ ‌

Colm‌ ‌waved‌ ‌his‌ ‌hand‌ ‌as‌ ‌if‌ ‌to‌ ‌sweep‌ ‌Sparrow’s‌ ‌claim‌ ‌away.‌ ‌“I‌ ‌see‌ ‌the‌ ‌light‌ ‌of‌ ‌Beo‌ ‌in‌ ‌every‌ ‌stone‌ ‌of‌ ‌this‌ ‌room.‌ ‌You‌ ‌occupy‌ ‌it.”‌ ‌ ‌

Sparrow‌ ‌clenched‌ ‌her‌ ‌jaw.‌ ‌For‌ ‌all‌ ‌that‌ ‌she‌ ‌wanted‌ ‌to‌ ‌say,‌ ‌she‌ ‌knew‌ ‌that‌ ‌Colm‌ ‌would‌ ‌only‌ ‌choose‌ ‌to‌ ‌see‌ ‌Sparrow‌ ‌spitting‌ ‌on‌ ‌the‌ ‌god‌ ‌whose‌ ‌house‌ ‌had‌ ‌raised‌ ‌her.‌ ‌ ‌

“Where‌ ‌is‌ ‌the‌ ‌manuscript‌ ‌you‌ ‌are‌ ‌illuminating‌ ‌now?”‌ ‌ ‌

Sparrow‌ ‌wanted‌ ‌nothing‌ ‌less‌ ‌than‌ ‌his‌ ‌indelicate‌ ‌fingers‌ ‌on‌ ‌her‌ ‌work.‌ ‌She‌ ‌stepped‌ ‌quickly‌ ‌between‌ ‌Colm‌ ‌and‌ ‌the‌ ‌stack‌ ‌of‌ ‌vellum‌ ‌that‌ ‌she‌ ‌had‌ ‌accumulated,‌ ‌laying‌ ‌her‌ ‌hand‌ ‌on‌ ‌the‌ ‌corner‌ ‌of‌ ‌the‌ ‌page‌ ‌as‌ ‌if‌ ‌offering‌ ‌to‌ ‌flip‌ ‌through‌ ‌the‌ ‌unbound‌ ‌pages‌ ‌at‌ ‌his‌ ‌command.‌ ‌Colm‌ ‌leaned‌ ‌over‌ ‌her‌ ‌arm.‌ ‌ ‌

“The‌ ‌frontispiece?”‌ ‌ ‌

Sparrow‌ ‌shook‌ ‌her‌ ‌head.‌ ‌“I‌ ‌do‌ ‌that‌ ‌last.”‌ ‌ ‌

Colm‌ ‌grunted.‌ ‌

“Chen‌ ‌Jizi—”‌ ‌

“Brother.”‌ ‌

“—liked‌ ‌to‌ ‌make‌ ‌them‌ ‌composites‌ ‌of‌ ‌the‌ ‌rest‌ ‌of‌ ‌the‌ ‌manuscript.‌ ‌If‌ ‌you‌ ‌knew‌ ‌what‌ ‌you‌ ‌looked‌ ‌for,‌ ‌you‌ ‌might‌ ‌see‌ ‌the‌ ‌entire‌ ‌book‌ ‌within‌ ‌the‌ ‌first‌ ‌page.”‌ ‌ ‌

“What‌ ‌is‌ ‌this,‌ ‌then?” ‌ ‌

Sparrow‌ ‌looked‌ ‌at‌ ‌the‌ ‌page‌ ‌again.‌ ‌“The‌ ‌first‌ ‌pilgrims,”‌ ‌she‌ ‌said,‌ ‌hovering‌ ‌a‌ ‌finger‌ ‌over‌ ‌the‌ ‌rock‌ ‌upon‌ ‌which‌ ‌they‌ ‌crowded.‌ ‌The‌ ‌scriptures‌ ‌said‌ ‌their‌ ‌island‌ ‌sat‌ ‌not‌ ‌far‌ ‌from‌ ‌Solaskell’s‌ ‌coast,‌ ‌but‌ ‌none‌ ‌of‌ ‌the‌ ‌monastery’s‌ ‌boating‌ ‌expeditions‌ ‌had‌ ‌found‌ ‌land‌ suitable‌ ‌for‌ ‌the‌ ‌start‌ ‌of‌ ‌a‌ ‌religion. ‌ ‌

Colm‌ ‌grunted.‌ ‌“How‌ ‌many‌ ‌pages‌ ‌have‌ ‌you‌ ‌to‌ ‌finish?”‌ ‌he‌ ‌asked.‌ ‌

Sparrow‌ ‌shuffled‌ ‌through‌ ‌to‌ ‌the‌ ‌end,‌ ‌counting‌ ‌quickly.‌ ‌“Three‌ ‌spreads,‌ ‌it‌ ‌should‌ ‌be.”‌ ‌ ‌
Colm‌ ‌nodded‌ ‌absently,‌ ‌his‌ ‌gaze‌ ‌still‌ ‌on‌ ‌the‌ ‌first‌ ‌page‌ ‌of‌ ‌Sparrow’s‌ ‌manuscript,‌ ‌where‌ ‌dragons‌ ‌and‌ ‌serpents‌ ‌twisted‌ ‌about‌ ‌each‌ ‌other‌ ‌in‌ ‌the‌ ‌green‌ ‌of‌ ‌the‌ ‌sea.‌ ‌ ‌

“You‌ ‌ought‌ ‌to‌ ‌work‌ ‌on‌ ‌these‌ ‌dragons,”‌ ‌he‌ ‌finally‌ ‌said.‌ ‌“This‌ ‌is‌ ‌not‌ ‌our‌ ‌way‌ ‌of‌ ‌painting‌ ‌them.”‌ ‌
Sparrow‌ ‌frowned.‌ ‌“These‌ ‌are‌ ‌the‌ ‌same‌ ‌as‌ ‌the‌ ‌others‌ ‌I’ve‌ ‌done,”‌ ‌she‌ ‌said. ‌ ‌

“Too‌ ‌stout.‌ ‌And‌ ‌are‌ ‌these‌ ‌ears‌ ‌or‌ ‌wings?”‌ ‌he‌ ‌harrumphed.‌ “Accuracy‌ ‌is‌ ‌important‌ ‌in‌ ‌these‌ ‌matters.”‌ ‌

Sparrow‌ ‌snorted.‌ ‌“Accuracy‌ ‌for‌ ‌dragons?”‌ ‌

“Accuracy‌ ‌to‌ ‌the‌ ‌‌tradition‌.‌ ‌I‌ ‌could‌ ‌scarcely‌ ‌care‌ ‌if‌ ‌the‌ ‌founders‌ ‌of‌ ‌Solaskell‌ ‌thought‌ ‌sheep‌ ‌walked‌ ‌on‌ ‌eight‌ ‌legs,‌ ‌or‌ ‌that‌ ‌a‌ ‌hive‌ ‌of‌ ‌bees‌ ‌could‌ ‌lift‌ ‌a‌ ‌man‌ ‌in‌ ‌flight.‌ ‌As‌ ‌they‌ ‌looked‌ ‌at‌ ‌the‌ ‌world,‌ ‌so‌ ‌must‌ ‌we.”‌ ‌

“Been‌ ‌accurate‌ ‌to‌ ‌my‌ ‌‌own‌ ‌‌tradition,‌ ‌at‌ ‌least,”‌ ‌Sparrow‌ ‌muttered.‌ ‌Even‌ ‌this,‌ ‌perhaps,‌ ‌was‌ ‌untrue,‌ ‌for‌ ‌as‌ ‌Sparrow‌ ‌had‌ ‌grown‌ ‌at‌ ‌the‌ ‌monastery,‌ ‌so‌ ‌had‌ ‌her‌ ‌artistry.‌ ‌She‌ ‌should‌ ‌hate‌ ‌to‌ ‌look‌ ‌back‌ ‌at‌ ‌her‌ ‌earlier‌ ‌manuscripts. ‌ ‌

Colm‌ ‌squinted‌ ‌at‌ ‌her.‌ ‌“Perhaps‌ ‌it‌ ‌is‌ ‌time‌ ‌you‌ ‌return‌ ‌to‌ ‌the‌ ‌libraries‌ ‌and‌ ‌your‌ ‌source‌ ‌material.”‌ ‌

Sparrow‌ ‌sighed. ‌ ‌

“Must‌ ‌I‌ ‌remind‌ ‌you‌ ‌that‌ ‌these‌ ‌duties‌ ‌are‌ ‌not‌ ‌your‌ ‌own?‌ ‌Someday‌ ‌long‌ ‌after‌ ‌we‌ ‌join‌ ‌Beo,‌ ‌these‌ ‌buildings‌ ‌will‌ ‌crumble‌ ‌and‌ ‌all‌ ‌that‌ ‌will‌ ‌be‌ ‌left–” ‌ ‌

“Is‌ ‌our‌ ‌legacy,‌ ‌and‌ ‌the‌ ‌books‌ ‌that‌ ‌share‌ ‌it,”‌ ‌Sparrow‌ ‌finished.‌ ‌It‌ ‌was‌ ‌as‌ ‌if‌ ‌Colm‌ ‌had‌ ‌long‌ ‌ago‌ ‌decided‌ ‌to‌ ‌devote‌ ‌only‌ ‌one‌ ‌good‌ ‌thought‌ ‌to‌ ‌anything,‌ ‌doomed‌ ‌to‌ ‌repeat‌ ‌the‌ ‌same‌ ‌vagueries‌ ‌
forever.‌ ‌This,‌ ‌in‌ ‌particular,‌ ‌was‌ ‌a‌ ‌weekly‌ ‌utterance. ‌ ‌

Colm‌ ‌nodded‌ ‌sharply.‌ ‌“And‌ ‌you‌ ‌should‌ ‌know‌ ‌of‌ ‌the‌ ‌abbess’‌ ‌plans‌ ‌to‌ ‌gift‌ ‌a‌ ‌manuscript‌ ‌to‌ ‌
the‌ ‌king.‌ ‌It‌ ‌must‌ ‌have‌ ‌been‌ ‌two‌ ‌generations‌ ‌ago‌ ‌that‌ ‌we‌ ‌presented‌ ‌to‌ ‌a‌ ‌ruler.” ‌ ‌

“Why‌ ‌‌now‌?”‌ ‌The‌ ‌land‌ ‌around‌ ‌Solaskell‌ ‌always‌ ‌seemed‌ ‌on‌ ‌the‌ ‌verge‌ ‌of‌ ‌shifting‌ ‌hands,‌ ‌and‌ ‌the‌ ‌monastery‌ ‌and‌ ‌its‌ ‌nominal‌ ‌ruler‌ ‌had‌ ‌long‌ ‌ago‌ ‌come‌ ‌to‌ ‌the‌ ‌sort‌ ‌of‌ ‌agreement‌ ‌that‌ ‌let‌ ‌each‌ ‌keep‌ ‌to‌ ‌its‌ ‌own.‌ ‌Sparrow‌ ‌thought‌ ‌the‌ ‌current‌ ‌king‌ ‌must‌ ‌have‌ ‌been‌ ‌only‌ ‌a‌ ‌few‌ ‌years‌ ‌in‌ ‌power,‌ ‌the‌ ‌quiet‌ ‌recipient‌ ‌of‌ ‌a‌ ‌kingship‌ ‌his‌ ‌father‌ ‌had‌ ‌done‌ ‌terrible‌ ‌things‌ ‌to‌ ‌take,‌ ‌terrible‌ ‌things‌ ‌to‌ ‌keep. ‌ ‌

“The‌ ‌abbess‌ ‌worries‌ ‌that‌ ‌we‌ ‌have‌ ‌made‌ ‌too‌ ‌much‌ ‌an‌ ‌island‌ ‌of‌ ‌our‌ ‌monastery,”‌ ‌Colm‌ ‌said.‌ ‌Sparrow‌ ‌didn’t‌ ‌miss‌ ‌the‌ ‌flash‌ ‌of‌ ‌a‌ ‌scowl‌ ‌that‌ ‌followed.‌ ‌She,‌ ‌wisely,‌ ‌said‌ ‌nothing,‌ ‌and‌ ‌in‌ ‌the‌ ‌silence‌ ‌that‌ ‌stretched‌ ‌between‌ ‌them,‌ ‌Colm‌ ‌seemed‌ ‌to‌ ‌remember‌ ‌himself. ‌ ‌

“Fix‌ ‌the‌ ‌dragons,”‌ ‌he‌ ‌said,‌ ‌tapping‌ ‌the‌ ‌stack‌ ‌of‌ ‌vellum.‌ ‌“Return‌ ‌to‌ ‌the‌ ‌oldest‌ ‌texts‌ ‌tomorrow‌ ‌and‌ ‌take‌ ‌your‌ ‌cues‌ ‌from‌ ‌the‌ ‌masters.”‌ Sparrow‌ ‌nodded,‌ ‌knowing‌ ‌even‌ ‌as‌ ‌she‌ ‌did‌ ‌so‌ ‌that‌ ‌the‌ ‌only‌ ‌way‌ ‌she‌ ‌would‌ ‌return‌ ‌to‌ ‌those‌ ‌pages‌ ‌was‌ ‌if‌ ‌Colm‌ ‌himself‌ ‌forced‌ ‌her‌ ‌hand.‌ ‌He‌ ‌would‌ ‌forget‌ ‌as‌ ‌soon‌ ‌as‌ ‌he‌ ‌found‌ ‌something‌ ‌else‌ ‌to‌ ‌scold‌ ‌her‌ ‌for,‌ ‌she‌ ‌hoped. ‌ ‌

Colm‌ ‌pushed‌ ‌the‌ ‌door‌ ‌open,‌ ‌then‌ ‌paused.‌ ‌“The‌ ‌next‌ ‌depiction‌ ‌of‌ ‌Beo…paint‌ ‌them‌ ‌in‌ ‌my‌ ‌image,”‌ ‌he‌ ‌said.‌ ‌He‌ ‌was‌ ‌gone,‌ ‌halfway‌ ‌down‌ ‌the‌ ‌stairs‌ ‌before‌ ‌Sparrow‌ ‌could‌ ‌give‌ ‌voice‌ ‌to‌ ‌her‌ ‌
confusion. ‌ ‌

Sparrow‌ ‌re-stacked‌ ‌the‌ ‌pages‌ ‌of‌ ‌her‌ ‌manuscript,‌ ‌pushed‌ ‌her‌ ‌pigment‌ ‌pots‌ ‌back‌ ‌into‌ ‌their‌ ‌messy‌ ‌array,‌ ‌and‌ ‌tried‌ ‌to‌ ‌imagine‌ ‌that‌ ‌her‌ ‌scriptorium‌ ‌did‌ ‌not‌ ‌now‌ ‌hold‌ ‌within‌ ‌it‌ ‌the‌ ‌air‌ ‌exhaled‌ ‌from‌ ‌Colm’s‌ ‌chest.‌ ‌Something‌ ‌that‌ ‌had‌ ‌been‌ ‌balanced‌ ‌carefully‌ ‌in‌ ‌the‌ ‌room‌ ‌was‌ ‌now‌ ‌askew,‌ ‌Sparrow‌ ‌felt. ‌ ‌

With‌ ‌the‌ ‌unpleasant‌ ‌feeling‌ ‌that‌ ‌Colm‌ ‌lingered‌ ‌still‌ ‌behind‌ ‌her,‌ ‌Sparrow‌ ‌pulled‌ ‌her‌ ‌hair‌ ‌back‌ ‌and‌ ‌dipped‌ ‌her‌ ‌quill‌ ‌in‌ ‌ink.‌ ‌

 

2021 Schumann Brothers Grants for Creative Expression: Applications Open

Rice University and Rice Student Media announces two competitions for the Schumann Brothers Grants: one for Written Expression and one for Travel Journalism. The winners for each award will receive a $1000 grant to support their proposed endeavors. 

For examples of previous grant winners’ works, go here

Eligibility

Applicants must be undergraduate students who have been published in a Rice University student media outlet. Students from all disciplines are encouraged to apply. 

Application

Written expression:

  • Submissions should include a writing sample, preferably one that is related to the project you are proposing. Any style of writing is acceptable, and the sample does not need to have been published. 
  • Submissions should include a proposal no longer than one page explaining the desired project.
  • Submissions must include a projected completion date for the piece(s). The committee will approve and enforce a completion date, or the grantee may be required to return the grant money.
  • The piece resulting from the project must be submitted to the committee for possible publication online or in print through the Office of  Student Media.
  • The committee will submit the resulting written piece and the grant request to the Dean’s office, so it can be communicated to the donors.

Travel Journalism:

  • Submissions should include a non-fiction writing sample that is related to the project you are proposing. Any style of writing is acceptable, and the sample does not need to have been published. 
  • Submissions must also include a travel budget and a proposal no longer than one page explaining the desired trip and its journalistic value. It is understood that the budget may exceed the grant amount. 
  • The trip should be taken within a calendar year from the award being given. 
  • Submissions will include a projected completion date for the piece(s). The committee will approve and enforce a completion date, or the grantee may be required to return the grant money.
  • The piece resulting from the project must be submitted to the committee for publication online or in print through Rice Student Media
  • The committee will submit the resulting written piece(s) and the grant request to the Dean’s office, so it can be communicated to the donors.

Deadline

All submissions must be received no later than April 16, 2021 by 5 p.m. Submissions for Written Expression can be submitted here. Submissions for Travel Journalism can be submitted here.

Selection

A Selection Committee composed of student publication editors and sponsors will select finalists. If needed, finalists may be asked to appear for an interview. Grant winners will be notified by email by Friday, April 16th with a formal announcement to follow.

If you have any questions or need clarification, email ricestudentmedia@gmail.com or klash@rice.edu.

Experiencing Hawaii

Andrew Grottkau, McMurtry 2019

As I stood in the Los Angeles airport terminal waiting to board my flight to Hawaii, I should have been excited. I was about to embark on what I expected to be the trip of a lifetime: a two-week journey split between Maui and the Big Island.

But as I looked out over the mob of people lined up to board the plane, I felt only worry. My goal when I planned this trip with my girlfriend, Jenn, was to experience Hawaii in an atypical way. We wanted to avoid the resorts, the upscale sea bars, the tourist traps and, perhaps most importantly, the tourists themselves.

In that airport crowd, I saw exactly what I was hoping not to see: the honeymooners wearing shirts that read ‘Just Maui-ed’ on the back, the older couple carrying designer luggage and already in line for first class, and the family wearing matching neon t-shirts with ‘Miller Family Vacation 2019’ emblazoned on the back. What if I was heading for two weeks surrounded by these people?

The mob of people waiting to board the flight from LAX to Maui

Tourists are unavoidable in Hawaii. About 217,000 jobs in the state depended on tourism as of early 2019, according to an article from Travel Pulse. Tourists spent $17.82 billion in Hawaii in 2018, which set an all-time record.

My fear, then, was justifiable. Jenn and I were, of course, tourists ourselves. But we had planned the trip carefully, making sure we would only camp and stay in Airbnbs instead of getting stuck in hotels in the towns designed for tourists. There would be no avoiding the mobs of visitors who flocked to the islands to relax in luxury. At least, that’s what I believed for the duration of the six-hour flight to Maui’s Kahului International Airport. But over the next two weeks, I would discover that it is not only possible, but easy to enjoy and preserve Hawaii’s natural beauty despite the large tourism industry.

Continue reading Experiencing Hawaii

Schumann Brothers

Schumann Brothers Fund for Creative Expression seeking submissions

Introduction

Rice University announces competition for the Schumann Brothers Grants for Creative Expression. The winners for each award will receive a $1000 grant to be used to support their proposed endeavors. The purpose of the grant is to encourage written, creative expression amongst Rice University students.

Eligibility

Applicants must be undergraduate students. Students from all disciplines are encouraged to apply.

Application

Written expression:

  • Applicants must be undergraduate students.
  • Submissions should include a writing sample, preferably one that is related to the project you are proposing. Any style of writing is acceptable, and the sample does not need to have been published. 
  • Submissions should include a proposal no longer than one page explaining the desired project.
  • Submissions must include a projected completion date for the piece(s). The committee will approve and enforce a completion date, or the grantee will be required to return the grant monies.
  • The piece resulting from the project must be submitted to the committee for possible publication online or in print through the Office of  Student Media.
  • The committee will submit the resulting written piece and the grant request to the Dean’s office, so it can be communicated to the donors.

Travel Journalism:

  • Applicants must be undergraduate students.
  • Submissions should include a non-fiction writing sample that is related to the project you are proposing. Any style of writing is acceptable, and the sample does not need to have been published. 
  • Submissions must also include a travel budget and a proposal no longer than one page explaining the desired trip and its journalistic value. It is understood that the budget may exceed the grant amount. 
  • The trip should be taken between Aug. 1, 2020 and July 31, 2021. 
  • Submissions will include a projected completion date for the piece(s). The committee will approve and enforce a completion date, or the grantee will be required to return the grant monies.
  • The piece resulting from the project must be submitted to the committee for publication online or in print through Rice Student Media
  • The committee will submit the resulting written piece(s) and the grant request to the Dean’s office, so it can be communicated to the donors.

Deadline

All submissions must be received no later than April 24, 2020 by 5 p.m. Submissions for Written Expression can be submitted here. Submissions for Travel Journalism can be submitted here.

Submissions can also be sent to Kelley Lash at klash@rice.edu.

Selection

A Selection Committee comprised of student publication editors and sponsors will select finalists. If needed, finalists may be asked to appear for an interview. Grant winners will be notified by email by Monday, May 4 with a formal announcement to follow.